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The slowly poisoned citizens of Raccoon City are a disturbing sight for a video game movie and far more compelling than the slow-moving monsters that comprise most of the cannon fodder-not for nothing it eerily plays like one of the few Hollywood movies to actually address the pandemic in some shape or form, if not just in lingering doom of a virus then the general mistrust in every institution it conjured up. Roberts evokes effective atmosphere at points. And despite a mildly effective muzzle-flash sequence, the monotonous gunfire of the mansion portion begins resembling something more like Bruno Mattei’s notorious Italian Aliens ripoff Shocking Dark than the clear influence of John Carpenter. Maybe it’s not fair to compare it to Anderson’s films, but where the Resident Evil IP seemed like a grand sandbox for his formalist interests and star / wife Milla Jovovich, Roberts’ project feels a little locked-down, each narrative strand a bit undercooked in its own right-Claire rescuing someone out of frame with a shotgun blast feels like it happens one too many times. During all this, title cards count down to 6 a.m., when Raccoon City is expected to go under. Not believing her, they take their separate ways-which eventually leads to Claire having to fight her way through the city’s zombie outbreak next to inexperienced cop Leon (Avan Jogia), a character from the second game, while Chris is outflanked by ghoulies alongside his commando unit at a mansion crime site from the first. A conspiracy theorist has led Claire to believe the town’s water supply is being poisoned by the nefarious Umbrella Corporation in an experiment gone wrong. Orphaned sister Claire (Kaya Scodelario) and brother Chris (Robbie Amell), who witnessed strange goings-on as children, reunite when she returns to Raccoon City to warn her cop brother. Taking place over the single night of September 30th, 1998, we have a surprisingly ambitious narrative with expectedly thin characters. One fault is its structure, which apparently conjoins plots of the first two games. If a beautiful shot of a helicopter’s headlights over pine trees at night reminds you he’s a real filmmaker, the work in toto is never particularly thrilling or scary, whatever its emptied rounds and stabs at atmosphere. Unfortunately, his reboot Resident Evil: Welcome to Raccoon City feels like a lot of good individual ideas that don’t cohere into a fun movie. There seemed some promise with director Johannes Roberts, who has the rare combination of being a huge horror geek and intelligent filmmaker, with visually accomplished, entertaining B-movies like Strangers: Prey at Night and 47 Meters Down under his belt.
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Anderson’s unwieldy, extremely enjoyable six-film series, so even as a non-gamer there was some understanding Resident Evil was not done as a movie franchise. That simplicity (a girl, a gun, a jail cell, zombies) seems to have been ignored by Paul W.S. Yet if one had to guess, the iconography seems pretty well-encapsulated in a 1997 Japanese ad directed by none other than George A. Want up-to-the-minute notifications? FilmBook staff members publish articles by Email, Twitter, Facebook, Instagram, Tumblr, Pinterest, Reddit, and Flipboard.This writer can’t really speak with authority on the Resident Evil game franchise-my only experience was putting down the Wii controller on the fourth installment almost immediately after being too scared. theaters through Sony Pictures on November 24, 2021. Resident Evil: Welcome to Raccoon City will be released in U.S. Readers seeking more movie trailers can visit our Movie Trailer Page, our Movie Trailer Twitter Page, and our Movie Trailer Facebook Page. Readers seeking to support this type of content can visit our Patreon Page and become one of FilmBook’s patrons. Leave your thoughts on it below in the comments section.
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Watch the Resident Evil: Welcome to Raccoon City Trailer. When that evil is unleashed, a group of survivors must work together to uncover the truth behind Umbrella and make it through the night.” The company’s exodus left the city a wasteland … with great evil brewing below the surface. In RESIDENT EVIL: WELCOME TO RACCOON CITY, once the booming home of pharmaceutical giant Umbrella Corporation, Raccoon City is now a dying Midwestern town. Resident Evil: Welcome to Raccoon City‘s plot synopsis: “Returning to the origins of the massively popular RESIDENT EVIL franchise, fan and filmmaker Johannes Roberts brings the games to life for a whole new generation of fans.